The 3 Costs of Multitasking
We all switch between tasks, and we do so often.
“How much time do you think you lose when you engage in task switching? Like many of our daily challenges, here too there are three different factors to consider.
The first factor to consider is the direct time that we spend on our secondary task. For example, imagine that you’re busy working on some complex description of a problem, and you hit a particularly challenging point. You are stuck in a slight mental block, unable to make any real progress for a few minutes. So you think to yourself, “Let me take a quick five minute break and use this time to catch up on email.” Twenty minutes later, you are still responding to email, feeling that familiar unjustified satisfaction we all feel when we managed to clear some of that email backlog in our inbox. Ten minutes later, you are finally back to working on your complex task, and if you bothered to look at your clock, you would realize that the last thirty minutes were a direct cost of the switch.
(…) This belief in “switching helps” is the reason that many people switch so often. Unfortunately, this is unlikely to be the case. Most likely, once you are back, for the next ten minutes or so, your engagement with your complex task is only partial, and you are not yet fully back into it. The reality is that even when you are back working on your main task — for a while longer — you keep on paying a low-productivity-price for your task switching.”
Inspirational Video Of The Week! Tolerance.
Family is Family. Parents are Parents. Love is Love.
The Positive Effect of Creative Hobbies on Performance at Work
Why photography, cooking or other creative hobbies might help you get on at work.
“People who have a creative hobby outside work may find it boosts their work performance, according to a new study by organisational psychologists. The study looked at the indirect effect of creative hobbies like photography, needlework or cooking on work performance (Eschleman et al., 2014). The study found that creative hobbies may help employees recover from the demands of their job. People in the study talked passionately about their activities outside of work. The study’s lead author, Kevin Eschleman, said: “They usually describe it as lush, as a deep experience that provides a lot of things for them. But they also talk about this idea of self-expression and an opportunity to really discover something about themselves, and that isn’t always captured with the current recovery experience models.”
In the study, two groups of people were asked about their creative activities outside work and also how creative they were at work. The results from both samples showed that those who had a creative hobby were more likely to feel a sense of relaxation outside work and to feel greater control and a sense of mastery (…) and were more likely to help others and to be more creative in the performance of their job. Large organizations, such as Zappos Inc., incorporate employee artwork into office decorations. Other similar activities commonly found in organizations include food cook-offs, cross-discipline education opportunities, and costume contests during holidays. A more cost-effective and less intrusive approach for organization is to inform employees that creative activity may help them recover from the workplace.” (Eschleman et al., 2014)”
TED’s Best Of The Week! Why people believe weird things, by Michael Shermer
“Why do people see the Virgin Mary on a cheese sandwich or hear demonic lyrics in “Stairway to Heaven”? Using video and music, skeptic Michael Shermer shows how we convince ourselves to believe — and overlook the facts.”
“Science is not a thing. It’s a verb. It’s a way of thinking about things. It’s a way of looking for natural explanations for all phenomena.”
Poet Of The Week! Jacques Prévert!
Jacques Prévert, (born1900, Neuilly-sur-Seine, Fr.—died 1977, Omonville-la-Petite), French poet who composed ballads of social hope and sentimental love; he also ranked among the foremost of screenwriters, especially during the 1930s and ’40s. Jacques Prévert was born in a lower middle class family. He made fun of the obsessions and conformity of this social class during his entire life and participated actively in the surrealist movement. He was a member of the Rue du Château group along with Raymond Queneau and Marcel Duchamp. His poems are often about life in Paris and life after the Second World War. The peak of Prévert’s career came immediately after World War II. In 1945, the same year that Les Enfants du paradis was released, he published his collected poems, Paroles. The book sold more than 500,000 copies, almost unheard of for a book of poems in France. “Prévert spoke particularly to the French youth immediately after the War, especially to those who grew up during the Occupation and felt totally estranged from Church and State,” wrote Lawrence Ferlinghetti in the introduction to the 1990 edition of Paroles, which he translated into English in 1958.
Prévert’s poems were collected and published in his books: Paroles (Words) (1946), Spectacle (1951), La Pluie et le beau temps (Rain and Good Weather) (1955), Histoires (Stories) (1963), Fatras (1971) and Choses et autres (Things and Others) (1973). Prévert produced several art collages during the late 1950s and early 1960s. “They were surreal, comic and beautiful, scathingly anti-church, anti-corporation, anti-hypocrisy,” Merriam wrote in the New Republic. They were exhibited in Paris in 1957 and in Antibes in southern France in 1963. He continued to publish books, including Histoires et d’autres histoires (Stories and Other Stories) in 1963 and Choses et autres (Things and Other Things) in 1972.
After a long illness, Prévert died on April 11, 1977, at his home in Omonville-La-Petite, in Normandy, France. That day, Carné (as quoted in the New York Times) called him “the one and only poet of French cinema,” whose “humor and poetry succeeded in raising the banal to the summit of art” and whose style reflected “the soul of the people.” Prévert wanted to be remembered as a people’s poet. A few years before his death, in an interview quoted in Harriet Zinnes’s introduction to her book Blood and Feathers, Prévert said, “I was popular even before being fashionable. That’s how it was. What gave me pleasure was having readers. They are the greatest literary critics. These are the people who know the best literature, those who love it, not the connoisseurs.”
Pour toi mon amour